November 26, 2018 UntoldHorror 0

  We’re very excited to drop this press release on ya… This coming Friday, November 30, Untold Horror is presenting a rare 3-D screening of Joe Dante’s 2009 young adult horror classic The Hole at Hollywood’s legendary TCL Chinese Theatre. It will mark the first of a series of planned events connected to Untold Horror, a multi-media brand dedicated to shining the spotlight on unmade, lost and under-the-radar films. The screening will include a special Q&A session with Dante (The Howling, Gremlins), hosted by his long-time friend John Landis (An American Werewolf in London, Blues Brothers). Although the movie – and Dante’s work in general – is considered a major influence on popular films and television shows such as Super 8, It and Stranger Things, this quirky slice of coming-of-age terror never received a proper theatrical premiere in the United States and has rarely screened in 3-D. A decade later, Untold Horror will expose it to a whole new audience with this special screening. Created by former editor-in-chief of Rue Morgue magazine Dave Alexander and filmmaker Mark Pollesel (along with co-producers Bob Barrett and Kevin Burke), Untold Horror is anchored by the currently in-development documentary series produced in partnership with legendary television producer Mark Wolper (Salem’s Lot, Bates Motel) and filmmakers Tim Sullivan (Detroit Rock City, 2001 Maniacs), Kevin Nicklaus (Bates Motel), Garo Setian (Automation) and Allen Copeland (Night Songs). The Hole stars Chris Massoglia (The Vampire’s Assistant), Haley Bennett (Equalizer, Girl on a Train), Nathan Gamble (The Mist, The Dark Knight), Teri Polo (Meet the Fockers) and Academy Award nominee Bruce Dern (The Hateful Eight, The Great Gatsby). Tickets will be available via Fandango and the TCL Chinese Theater’s website . About Joe Dante Joe Dante is a master of tongue-in-cheek terror, with classics such as Gremlins, The ‘Burbs, The Howling, Twilight Zone: The Movie and the original Piranha. Having also helmed Explorers, […]


November 12, 2018 UntoldHorror 0

  “This is truly one of those magical (cursed?) objects that I cannot believe has fallen through the cinematic cracks .” That’s how bestselling author Daniel Kraus describes – on his Twitter feed – seeing the unreleased GEORGE A. ROMERO film THE AMUSEMENT PARK, for which we’ve reposted some of the stills he took. Kraus, who co-wrote with Guillermo del Toro the Trollhunters and The Shape of Water novelizations, is currently completing the unfinished Romero novel The Living Dead (planned for a fall 2019 release). Part of his immersion into Romero’s world was to watch the unreleased 1973 film (shot in between Season of the Witch and The Crazies), which is not a horror movie but a meditation on ageism, set in an amusement park, that’s so scathing, it was shelved. A synopsis of it, for a screening at the Spectacle Theater in Brooklyn (no date listed yet, just the description of the film), reads: “An elderly gentlemen sets out for what he thinks will be a normal day at an amusement park and is soon embroiled in a waking nightmare the likes of which you’ve never seen! … Witness a crackup on the bumper cars where the police and insurance agents show up! See swindlers and hucksters take advantage of old people left and right! Witness a coffin plunked right in front of innocent attendees!” As Kraus describes it, “It’s hellish. In Romero’s long career of criticizing American institutions, never was he so merciless.” The film, which also features a cameo from its creator, sounds absolutely fascinating, and the good news is there’s a plan in place to restore and release it. And you can help by donating to the GARF: the George A. Romero Foundation (georgearomerofoundation.org). Founded by George’s wife, Suzanne Desrocher-Romero (also the President), and overseen by […]

Back to Babylon Fields

May 9, 2018 UntoldHorror 0

“Like the Bible says, ‘When there’s no room in Hell, the dead will walk the Earth.” “That’s from a movie.” “The hell it is!” “It’s not even, it’s from the poster.” That bit of dialogue from the pilot for Babylon Fields is a taste of what could’ve been had the proposed network series been green lit past the pilot stage. In 2007 – three years before The Walking Dead hit television – Michael and Gerald Cuesta and Michael Atkinson brought the zombie-themed series to CBS. Unlike The Walking Dead, Babylon Fields features a mass resurrection of the dead who aren’t mindless ghouls craving flesh, but rather confused revenants who want to return to their lives, with results that range from heartbreaking to horrifying to hunourous. It’s a premise that was explored previously in the obscure 2004 French film Les Revenants, which spawned two seasons of a 2014 T.V. series of the same name, plus an American adaptation of that series, called The Returned, which was cancelled after one season. Judging by the pilot, which you can watch online here, Babylon Fields, was less haunting, funnier and equally creepy. Aside from the aforementioned dialog between gun-happy rednecks confusing the Bible with the poster for Dawn of the Dead, the episode features a zombie who rekindles his sex life with his wife, a formerly abusive cop who realizes he was murdered by his family when he finds a gaping axe wound in the back of his head, and milky-eyed zombies clawing their way out of the ground en masse. The intriguing element of the premise, is, of course, how the living deal with the dead they’ve already said goodbye to and who no longer have a place in their world. Some treat then like movie zombies, attacking and shooting them; others struggle […]

Unknown Untold: Dracula Fever

April 13, 2018 UntoldHorror 0

In our ongoing research into Untold Horror, we have uncovered a variety of projects which for better or worse went unrealized.  Many of them only exist in pitch material artwork if nothing else.   This ongoing series, entitled “Unknown Untold”, will shine a light on artwork for movies that never existed beyond what is seen on the page. If you have any further knowledge of any of the images posted, please let us know – Email mark@untoldhorror.ca with any details you may have about these projects! Phantom of the Paradise… The Rocky Horror Picture Show… Repo: The Genetic Opera… Cannibal! The Musical… … and that’s about it. Unlike other film genres that Horror so easily blends with, the (English-language) Musical isn’t high on that list.  And perhaps for good reason.   Horror is all about building tension – and it is pretty difficult to do that when you are breaking out into musical set-pieces every so often.  Perhaps the only way to achieve it correctly is to embrace the ridiculousness of it, as those who have successfully combined the genres, have indeed done. Studio decision makers are notorious for not getting behind anything that isn’t necessarily a straight-up horror film.  Event the legendary George A. Romero can count a (couple) of unproduced attempted Horror-Musicals, among his Untold Horrors.  Diamond Dead perhaps being the best know stillborn production within the strange subgenre. For this Unknown Untold, we’re looking at a trade ad that ran in the early 80’s, for a never-would-be horror musical. One of the most adapted characters in the history of cinema is Bram Stoker’s bloodsucker, Dracula.  The Count has been presented in literally just about every single possible interpretation up on the silver screen.   From animated, to romantic, from comedic, to heroic, and everything in between.  However, on screen, for better or worse, we […]

Stan Lee’s Garbage Monster

March 25, 2018 UntoldHorror 0

Initially, the idea of a lauded French New Wave auteur teaming up with a Marvel comics personality seems absurd, but from its early days in the 1950s, the cinematic movement had an obsession with American pop-culture – including its directors celebrating Alfred Hitchcock films in Cahiers du Cinéma, Jean Paul Belmondo imitating Humphrey Bogart in Jean-Luc Goddard’s Breathless. Alain Resnais, who became famous for Hiroshima mon amour (1959), Last Year at Mareinbad (1961) and Je t’aime, je t’aime, loved Marvel comics so much that he wrote a fan letter to Stan Lee. They became pen pals, and eventually Resnais travelled to America to meet Lee and stay at his house on Long Island. The friendship between the two creators led to them collaborating on a pair of unrealized film projects. One of them, titled The Inmates, was described by Lee – in the 1970s, in the Marvel fan magazine FOOM – as a philosophical sci-fi meditation about humanity’s place in the universe. “It’s not a far-out science-fiction thing,” he noted. Lee wrote a treatment for the film but it never went past that stage. The other project, however, did become a screenplay. Titled The Monster Maker, it was a socially-conscious creature feature. In video interview recently posted at criterion.com, Lee delves into the project, recalling that the story revolved around a B-movie maker named Larry Morgan, who’s in love with a woman named Catherine Reynolds, but she has her sights set on a respected British auteur filmmaker named Peter Hastings; meanwhile Larry doesn’t notice that his writer, Patricia Hill, is in love with him.  “I started out by basing it on a fellow named Roger Corman, who had done many inexpensive movies that did very well st the box office,” says Lee. “They weren’t intellectual movies; they were low budget, […]

Unknown Untold: L.A.B.C

March 9, 2018 UntoldHorror 0

In our ongoing research into Untold Horror, we have uncovered a variety of projects which for better or worse went unrealized.  Many of them only exist in pitch material artwork if nothing else.   This ongoing series, entitled “Unknown Untold”, will shine a light on artwork for movies that never existed beyond what is seen on the page. If you have any further knowledge of any of the images posted, please let us know – Email mark@untoldhorror.ca with any details you may have about these projects! “Whacked out Mutants on a Rampage Without Credit Cards” –  Tagline for “L.A.B.C” … Doesn’t exactly roll off the tongue, does it? It’s been a while, but today we’re back with another addition to our “Unknown Untold” series.  Taking a look back at some of the amazing and evocative artwork created for trade magazines, for films that were never realized. Today, we’re looking at what would have been a Charles Band produced film under the “Beyond Infinity” and “Titan Productions” banners.  Credits for both companies  line-up with other Empire-Era Band films, such as Sorority Babes in the Slimeball Bowl-O-Rama,  Breeders, Robot Holocaust, and  Robot Holocaust, during the mid-late 1980s. And looking at this poster – it certainly fits the look and feel of all those films.    Implications of over-the-top, insane violence and gruesome fun, with monsters and mutants.    Next to Cannon Films, the most fun delving into some of these old trade magazines is finding Sales art for Band productions – is seeing some of the wild artwork for movies that never were…. And some of the unrelated sales art for films that were. I mean, a side note.. But take a look at this Variety advertisement for Ghoulies.   So much… and maybe 1% (The titular Ghoulies and house, I guess?) of it is actually related to the […]


October 31, 2017 UntoldHorror 0

Happy Halloween from all of us at Untold Horror! We recently had the opportunity to check out GUILLERMO DEL TORO: AT HOME WITH MONSTERS, currently on at the Art Gallery of Ontario (AGO), and speak with curator of the exhibit Jim Shedden.  As you’ll see in our clip, there’s an astounding amount of eye candy, including original artwork from THE SHAPE OF WATER, which is del Toro finally getting to make a version of CREATURE FROM THE BLACK LAGOON, and one of the gnarly, mutated penguins created for his aborted H.P. Lovecraft adaptation, AT THE MOUNTAINS OF MADNESS. More on that last item later, but for now, a peek at GUILLERMO DEL TORO: AT HOME WITH MONSTERS, which is on display at the AGO until January 8, 2018.

UNTOLD HORROR comes to Fantasia 2017

July 5, 2017 UntoldHorror 0

We are very excited to be returning to the Fantasia International Film Festival later this month. Earlier today, the festival announced their complete list of programming, and we are thrilled to be participating with a very unique, live event! More details to come…. UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL (Live multimedia event) Remakes of WITCHFINDER GENERAL and THE ORPHANAGE. The MANIAC COP sequel you were supposed to see. A Tarantino collaboration that almost was. A stillborn post-apocalyptic rock opera centered around a “Breeding Festival.” Hear these and other jaw-dropping tales from the cinematic trenches in UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL. Presented by Untold Horror – an in-development series born at Fantasia’s Frontières market dedicated to exploring the greatest genre movies never made – and hosted by co-creator Dave Alexander (former Editor-in-Chief of Rue Morgue magazine), this round-table discussion – with accompanying A/V presentation – will delve into unrealized projects by our favorite genre filmmakers. William Lustig (MANIAC, MANIAC COP), Richard Stanley (HARDWARE, DUST DEVIL), Gary Sherman (DEATHLINE, DEAD & BURIED), Larry Fessenden (WENDIGO, THE LAST WINTER), and Buddy Giovinazzo (COMBAT SHOCK, LIFE IS HOT IN CRACKTOWN) will reveal their fascinating projects that failed to launch, the reasons why, and what it taught them about the often-volatile film business. Plus, a sneak peek at Untold Horror! Event Details: www.facebook.com/events/147276739157439

Dusting Off the Lid on THE COFFIN

June 14, 2017 UntoldHorror 0

At the Mountains of Madness isn’t the first unmade film project that Guillermo del Toro and James Cameron tried to collaborate on. Back in 2001, Variety reported that Cameron, via his Lightstorm Entertainment company, bought the rights to the 2001 comic book miniseries The Coffin. Created by Phil Hester and Mike Huddleston, it’s a modern twist on the Frankenstein story. In it, Dr. Ashtar Ahmad has created a polymer suit that is able to trap the soul inside of it, where it can live on. But his research has been funded by a ruthless and very rich old man who will stop at nothing to extend his own life. When he sends assassins to kill Ahmad in order to stop him from sharing his discovery elsewhere, the badly wounded doctor manages to get into one of the suits. Now, essentially a vapour, he must take on the tycoon and his minions in order to save himself and those close to him, including his estranged young daughter. The black and white story feels very much like a movie, and exactly the kind of project del Toro would be interested in, with its Frankenstein premise, dramatic plot, steam-punkish hero, depictions of Hell and child in jeopardy. In fact, the protagonist is strikingly similar to the character of Johann Kraus – a psychic who, due to a paranormal accident, was reduced to an ecotoplasmic form and now lives as a vapour inside of a containment suit –  from del Toro’s Hellboy films. (Hellboy creator Mike Mignola premiered the character in 2003, two years after The Coffin.) The announcement about the film was originally made while del Toro was prepping Blade 2, so this was fairly early in his career. He was working on a script and confirmed that he would direct it, as well. The […]

Unknown Untold:  Wes Craven’s The Fallen

May 19, 2017 UntoldHorror 0

In our ongoing research into Untold Horror, we have uncovered a variety of projects which for better or worse went unrealized.  Many of them only exist in pitch material artwork if nothing else.   This ongoing series, entitled “Unknown Untold”, will shine a light on artwork for movies that never existed beyond what is seen on the page. If you have any further knowledge of any of the images posted, please let us know – Email mark@untoldhorror.ca with any details you may have about these projects! One of my personal favourite aspects of digging into the world of Untold Horror, is taking a look at the many “what ifs” that come up when dealing with films that fell into the depths of Development Hell. What would have happened if so and so directed a certain project at some point, meaning a non-existent film would now exist.  It would also likely mean an entirely different chain of events would follow…  The mind races with possibilities.  This is one such project. From the pages of the May 12, 1982 issue of Variety comes today’s “Unknown Untold”. “An Unusual Drama of one man’s saga into primitive terror, love and all-out war with the fallen forces of evil for a treasure that will destroy all.”  – So reads the tagline for this mysterious film. Beyond this, we also have comparisons to Raiders of the Lost Ark, The Exorcist, The Omen, and, Close Encounters of the Third Kind.  With promises of “Relentless action”, “Suspenseful Terror” and “Astonishing Special Effects”, one can only imagine the type of spectacle scripted. Finally, and in larger font than anything else, the project was promised to be “Set in Three Continents” and a “Star-Studded Cast”. This clearly had the vision of being a large picture and production.  Much larger than anything that […]

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