October 31, 2017 0

Happy Halloween from all of us at Untold Horror! We recently had the opportunity to check out GUILLERMO DEL TORO: AT HOME WITH MONSTERS, currently on at the Art Gallery of Ontario (AGO), and speak with curator of the exhibit Jim Shedden.  As you’ll see in our clip, there’s an astounding amount of eye candy, including original artwork from THE SHAPE OF WATER, which is del Toro finally getting to make a version of CREATURE FROM THE BLACK LAGOON, and one of the gnarly, mutated penguins created for his aborted H.P. Lovecraft adaptation, AT THE MOUNTAINS OF MADNESS. More on that last item later, but for now, a peek at GUILLERMO DEL TORO: AT HOME WITH MONSTERS, which is on display at the AGO until January 8, 2018.


UNTOLD HORROR comes to Fantasia 2017

July 5, 2017 0

We are very excited to be returning to the Fantasia International Film Festival later this month. Earlier today, the festival announced their complete list of programming, and we are thrilled to be participating with a very unique, live event! More details to come…. UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL (Live multimedia event) Remakes of WITCHFINDER GENERAL and THE ORPHANAGE. The MANIAC COP sequel you were supposed to see. A Tarantino collaboration that almost was. A stillborn post-apocalyptic rock opera centered around a “Breeding Festival.” Hear these and other jaw-dropping tales from the cinematic trenches in UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL. Presented by Untold Horror – an in-development series born at Fantasia’s Frontières market dedicated to exploring the greatest genre movies never made – and hosted by co-creator Dave Alexander (former Editor-in-Chief of Rue Morgue magazine), this round-table discussion – with accompanying A/V presentation – will delve into unrealized projects by our favorite genre filmmakers. William Lustig (MANIAC, MANIAC COP), Richard Stanley (HARDWARE, DUST DEVIL), Gary Sherman (DEATHLINE, DEAD & BURIED), Larry Fessenden (WENDIGO, THE LAST WINTER), and Buddy Giovinazzo (COMBAT SHOCK, LIFE IS HOT IN CRACKTOWN) will reveal their fascinating projects that failed to launch, the reasons why, and what it taught them about the often-volatile film business. Plus, a sneak peek at Untold Horror! Event Details:


Dusting Off the Lid on THE COFFIN

June 14, 2017 0

At the Mountains of Madness isn’t the first unmade film project that Guillermo del Toro and James Cameron tried to collaborate on. Back in 2001, Variety reported that Cameron, via his Lightstorm Entertainment company, bought the rights to the 2001 comic book miniseries The Coffin. Created by Phil Hester and Mike Huddleston, it’s a modern twist on the Frankenstein story. In it, Dr. Ashtar Ahmad has created a polymer suit that is able to trap the soul inside of it, where it can live on. But his research has been funded by a ruthless and very rich old man who will stop at nothing to extend his own life. When he sends assassins to kill Ahmad in order to stop him from sharing his discovery elsewhere, the badly wounded doctor manages to get into one of the suits. Now, essentially a vapour, he must take on the tycoon and his minions in order to save himself and those close to him, including his estranged young daughter. The black and white story feels very much like a movie, and exactly the kind of project del Toro would be interested in, with its Frankenstein premise, dramatic plot, steam-punkish hero, depictions of Hell and child in jeopardy. In fact, the protagonist is strikingly similar to the character of Johann Kraus – a psychic who, due to a paranormal accident, was reduced to an ecotoplasmic form and now lives as a vapour inside of a containment suit –  from del Toro’s Hellboy films. (Hellboy creator Mike Mignola premiered the character in 2003, two years after The Coffin.) The announcement about the film was originally made while del Toro was prepping Blade 2, so this was fairly early in his career. He was working on a script and confirmed that he would direct it, as well. The […]


Unknown Untold:  Wes Craven’s The Fallen

May 19, 2017 0

In our ongoing research into Untold Horror, we have uncovered a variety of projects which for better or worse went unrealized.  Many of them only exist in pitch material artwork if nothing else.   This ongoing series, entitled “Unknown Untold”, will shine a light on artwork for movies that never existed beyond what is seen on the page. If you have any further knowledge of any of the images posted, please let us know – Email with any details you may have about these projects! One of my personal favourite aspects of digging into the world of Untold Horror, is taking a look at the many “what ifs” that come up when dealing with films that fell into the depths of Development Hell. What would have happened if so and so directed a certain project at some point, meaning a non-existent film would now exist.  It would also likely mean an entirely different chain of events would follow…  The mind races with possibilities.  This is one such project. From the pages of the May 12, 1982 issue of Variety comes today’s “Unknown Untold”. “An Unusual Drama of one man’s saga into primitive terror, love and all-out war with the fallen forces of evil for a treasure that will destroy all.”  – So reads the tagline for this mysterious film. Beyond this, we also have comparisons to Raiders of the Lost Ark, The Exorcist, The Omen, and, Close Encounters of the Third Kind.  With promises of “Relentless action”, “Suspenseful Terror” and “Astonishing Special Effects”, one can only imagine the type of spectacle scripted. Finally, and in larger font than anything else, the project was promised to be “Set in Three Continents” and a “Star-Studded Cast”. This clearly had the vision of being a large picture and production.  Much larger than anything that […]



May 17, 2017 0

(Presenting a special guest post by Andy Burns of Biff Bam Pop!) This Sunday, May 21st brings us the long-awaited return of Twin Peaks. The surreal show, set in the Pacific Northwest, was co-created by Mark Frost and David Lynch and, for brief period in the early 1990s, was the biggest television show in North America. An audience of 34 million watched the hypnotic two-hour ABC premiere, which felt more like a movie than a television show. There, we were introduced to Agent Cooper (Kyle MacLachlan), sent to the town of Twin Peaks to investigate the murder of the homecoming queen, sixteen-year-old Laura Palmer (Sheryl Lee). Over the course of two seasons, Twin Peaks would meld auteur cinema with soap opera storytelling; myths and conspiracy theories; aliens and the supernatural; coffee and cherry pie. However, the series would quickly flame out thanks to network interference, and both Lynch and Frost’s other interests. When the final episode aired in the spring of 1991, fans were left with multiple cliffhangers, most notably Agent Cooper’s body now in possession of the malevolent spirit, BOB (Frank Silva). While David Lynch would release the film Twin Peaks: Fire Walk With Me one year later, it served as a prequel rather than sequel, leaving so many questions unanswered. Season two wasn’t meant to be the end of Twin Peaks, though. In fact, David Lynch appeared on Late Night with David Letterman in an appeal to fans to write in to ABC to give it a third season order. It didn’t work, but what if it had? In an interview back in July 2007, with the Twin Peaks Archive, artist Matt Haley revealed he and Twin Peaks producer and Fire Walk With Me co-writer Robert Engels were working on a graphic novel that would have incorporated various ideas […]

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